Pride and Prejudice — Jane Austen (1813)
Themes
Marriage and money: Mrs Bennet's obsession; the entail (Mr Collins inherits Longbourn); Charlotte's pragmatic match; Lydia's elopement; Jane and Bingley's true love; Elizabeth and Darcy's transformation. Austen critiques marriage as economic survival but endorses marriage based on mutual respect.
Class and reputation: The rigid hierarchy: gentry (Bennets, Darcy, Lady Catherine) vs trade (Bingleys' fortune from trade), vs gentry-without-fortune (Wickham). Lydia's elopement nearly ruins the family socially.
The narrator's irony: Austen's free indirect discourse + biting opening — "It is a truth universally acknowledged that a single man in possession of a good fortune, must be in want of a wife." Establishes satirical tone immediately.
Key characters
- Elizabeth Bennet — witty, independent, refuses Mr Collins (despite economics) and Darcy's first proposal (despite wealth). Bildungsroman — recognises her own prejudice.
- Mr Darcy — pride masked as reserve; recognises class snobbery; transformed by Elizabeth's rebuke.
- Mr Collins — pompous clergyman, comic figure, Lady Catherine's sycophant. Used by Austen to satirise insincere social climbing.
- Lady Catherine de Bourgh — embodies aristocratic snobbery. Her visit to Longbourn (Vol 3 Ch 14) ironically pushes Elizabeth + Darcy together.
- Wickham — charming surface, deceitful underneath. Austen's warning against trusting appearances.
Form and structure
- Three-volume structure (originally published in 3 vols)
- Free indirect discourse — narrator slips into characters' minds, especially Elizabeth's
- Letters as plot devices (Darcy's revelatory letter Vol 2 Ch 12)
- Symmetrical reversals: Darcy's first proposal (rejected); Elizabeth's recognition of his goodness; Darcy's second proposal (accepted)
Context (AO3)
- Regency England — strict social hierarchy
- Inheritance law (entail) — women's economic vulnerability
- Napoleonic Wars (mentioned via militia) — male absence + casual relationships
- Austen wrote anonymously — by "A Lady" — women's published voices constrained
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